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KORG drumlogue (per pencilresearch canonical CSV) MIDI CC chart, NRPN and OSC map

The KORG drumlogue MIDI implementation: 259 CC, 22 drum sounds, each named, for Claude (MCP), SuperCollider or any OSC app.

Device KORG drumlogue
Vendor KORG
OSC prefix /drumlogue
Source 📦 Derived from MIDI Guide (community CC/NRPN data)
Firmware unknown
Revision per pencilresearch canonical CSV
Upstream pencilresearch
Data licence CC-BY-SA-4.0 — MIDI Guide (https://midi.guide) by Pencil Research and contributors
Driver file devices/korg/drumlogue.pencilresearch.fw-unknown.json
Not tested on the device yet

This driver comes from documentation or community data and has not been checked on real hardware. If you own one, a quick test and a pull request promoting it helps everyone — see CONTRIBUTING.

Other versions of the KORG drumlogue (1)

per Electra preset

How do you control it?

Find the MIDI ports, then start the bridge with this driver:

osc-bridge detect        # prints the ready-to-run line for what is plugged in
osc-bridge run --device devices/korg/drumlogue.pencilresearch.fw-unknown.json --out-port <N> --in-port <M>

Then send OSC to 127.0.0.1:7777, for example:

osc-bridge osc-send /drumlogue/master/volume 8191

From Claude or any MCP client, the osc-bridge mcp server exposes this driver as drumlogue: ask “what can the KORG drumlogue do?” and it reads this map with list_routes. See the MCP guide.

MIDI CC and NRPN parameters (259)

OSC address CC NRPN (MSB/LSB) Range Nature Section
/drumlogue/master/volume 7 / 39 0–16383 continuous Master
/drumlogue/bass_drum/tune 20 0–127 continuous Bass drum
/drumlogue/bass_drum/drive 21 0–127 continuous Bass drum
/drumlogue/bass_drum/attack 22 0–127 continuous Bass drum
/drumlogue/bass_drum/decay 23 0–127 continuous Bass drum
/drumlogue/bass_drum/level 24 0–127 continuous Bass drum
/drumlogue/snare_drum/tune 25 0–127 continuous Snare drum
/drumlogue/snare_drum/snappy_level 26 0–127 continuous Snare drum
/drumlogue/snare_drum/snappy_decay 27 0–127 continuous Snare drum
/drumlogue/snare_drum/decay 28 0–127 continuous Snare drum
/drumlogue/snare_drum/level 29 0–127 continuous Snare drum
/drumlogue/low_tom/tune 46 0–127 continuous Low tom
/drumlogue/low_tom/detune 47 0–127 continuous Low tom
/drumlogue/low_tom/decay 48 0–127 continuous Low tom
/drumlogue/low_tom/level 49 0–127 continuous Low tom
/drumlogue/high_tom/tune 50 0–127 continuous High tom
/drumlogue/high_tom/detune 51 0–127 continuous High tom
/drumlogue/high_tom/decay 52 0–127 continuous High tom
/drumlogue/high_tom/level 53 0–127 continuous High tom
/drumlogue/closed_hi_hat/tune 61 0–127 continuous Closed hi-hat
/drumlogue/closed_hi_hat/decay 62 0–127 continuous Closed hi-hat
/drumlogue/closed_hi_hat/level 63 0–127 continuous Closed hi-hat
/drumlogue/open_hi_hat/tune 80 0–127 continuous Open hi-hat
/drumlogue/open_hi_hat/decay 81 0–127 continuous Open hi-hat
/drumlogue/open_hi_hat/level 82 0–127 continuous Open hi-hat
/drumlogue/rimshot/tune 55 0–127 continuous Rimshot
/drumlogue/rimshot/decay 56 0–127 continuous Rimshot
/drumlogue/rimshot/level 57 0–127 continuous Rimshot
/drumlogue/clap/tune 58 0–127 continuous Clap
/drumlogue/clap/decay 59 0–127 continuous Clap
/drumlogue/clap/level 60 0–127 continuous Clap
/drumlogue/sample_1/tune 102 0–127 continuous Sample 1
/drumlogue/sample_1/attack 103 0–127 continuous Sample 1
/drumlogue/sample_1/decay 104 0–127 continuous Sample 1
/drumlogue/sample_1/level 105 0–127 continuous Sample 1
/drumlogue/sample_2/tune 106 0–127 continuous Sample 2
/drumlogue/sample_2/attack 107 0–127 continuous Sample 2
/drumlogue/sample_2/decay 108 0–127 continuous Sample 2
/drumlogue/sample_2/level 109 0–127 continuous Sample 2
/drumlogue/multi/part_level 54 0–127 continuous Multi
/drumlogue/vpm/note 110 0–127 continuous VPM
/drumlogue/vpm/index 111 0–127 continuous VPM
/drumlogue/vpm/ratio 112 0–127 continuous VPM
/drumlogue/vpm/envelope_type 113 0–127 continuous VPM
/drumlogue/vpm/attack 114 0–127 continuous VPM
/drumlogue/vpm/release 115 0–127 continuous VPM
/drumlogue/noise/color 116 0–127 continuous Noise
/drumlogue/noise/attack 117 0–127 continuous Noise
/drumlogue/noise/release 118 0–127 continuous Noise
/drumlogue/noise/peak 119 0–127 continuous Noise
/drumlogue/user_synth/parameter_1 16 0–127 continuous User synth
/drumlogue/user_synth/parameter_2 17 0–127 continuous User synth
/drumlogue/user_synth/parameter_3 18 0–127 continuous User synth
/drumlogue/user_synth/parameter_4 19 0–127 continuous User synth
/drumlogue/delay/parameter_1 12 0–127 continuous Delay
/drumlogue/delay/parameter_2 13 0–127 continuous Delay
/drumlogue/delay/parameter_3 14 0–127 continuous Delay
/drumlogue/delay/return 44 0–127 continuous Delay
/drumlogue/delay/reverb_send 45 0–127 continuous Delay
/drumlogue/delay/level 92 0–127 continuous Delay
/drumlogue/reverb/parameter_1 85 0–127 continuous Reverb
/drumlogue/reverb/parameter_2 86 0–127 continuous Reverb
/drumlogue/reverb/parameter_3 87 0–127 continuous Reverb
/drumlogue/reverb/parameter_4 89 0–127 continuous Reverb
/drumlogue/reverb/return 83 0–127 continuous Reverb
/drumlogue/reverb/level 91 0–127 continuous Reverb
/drumlogue/channel_mode/all_sound_off 120 0–127 continuous Channel mode
/drumlogue/channel_mode/reset_all_controllers 121 0–127 continuous Channel mode
/drumlogue/channel_mode/all_notes_off 123 0–127 continuous Channel mode
/drumlogue/channel_mode/omni_mode_off 124 0–127 continuous Channel mode
/drumlogue/channel_mode/omni_mode_on 125 0–127 continuous Channel mode
/drumlogue/channel_mode/mono_mode_on 126 0–127 continuous Channel mode
/drumlogue/channel_mode/poly_mode_on 127 0–127 continuous Channel mode
/drumlogue/multi_part_1_bass_drum/bass_drum_level 7 / 39 0–16383 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_pan 10 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_reverb_send 91 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_delay_send 92 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_tune 20 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_drive 21 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_attack 22 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_decay 23 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_sweep 24 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_sweep_time 25 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_1_bass_drum/bass_drum_hold 26 0–127 continuous Multi: Part 1 bass drum
/drumlogue/multi_part_2_snare_drum/snare_drum_level 7 / 39 0–16383 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_pan 10 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_reverb_send 91 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_delay_send 92 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_tune 25 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_snappy_level 26 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_snappy_decay 27 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_decay 28 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_2_snare_drum/snare_drum_tone 29 0–127 continuous Multi: Part 2 snare drum
/drumlogue/multi_part_3_low_tom/low_tom_level 7 / 39 0–16383 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_pan 10 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_reverb_send 91 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_delay_send 92 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_tune 46 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_detune 47 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_decay 48 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_sweep 49 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_attack 50 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_3_low_tom/low_tom_drive 51 0–127 continuous Multi: Part 3 low tom
/drumlogue/multi_part_4_high_tom/high_tom_level 7 / 39 0–16383 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_pan 10 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_reverb_send 91 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_delay_send 92 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_tune 50 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_detune 51 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_decay 52 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_sweep 53 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_attack 54 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_4_high_tom/high_tom_drive 55 0–127 continuous Multi: Part 4 high tom
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_level 7 / 39 0–16383 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_pan 10 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_reverb_send 91 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_delay_send 92 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_tune 61 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_decay 62 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_attack 63 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_sample_start 80 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_5_closed_hi_hat/closed_hi_hat_sample_end 81 0–127 continuous Multi: Part 5 closed hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_level 7 / 39 0–16383 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_pan 10 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_reverb_send 91 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_delay_send 92 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_tune 80 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_decay 81 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_attack 82 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_sample_start 83 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_6_open_hi_hat/open_hi_hat_sample_end 85 0–127 continuous Multi: Part 6 open hi-hat
/drumlogue/multi_part_7_rimshot/rimshot_level 7 / 39 0–16383 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_pan 10 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_reverb_send 91 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_delay_send 92 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_tune 55 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_decay 56 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_sample_start 57 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_7_rimshot/rimshot_sample_end 58 0–127 continuous Multi: Part 7 rimshot
/drumlogue/multi_part_8_clap/clap_level 7 / 39 0–16383 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_pan 10 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_reverb_send 91 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_delay_send 92 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_tune 58 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_decay 59 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_attack 60 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_sample_start 61 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_8_clap/clap_sample_end 62 0–127 continuous Multi: Part 8 clap
/drumlogue/multi_part_9_sample_1/sample_1_level 7 / 39 0–16383 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_pan 10 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_reverb_send 91 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_delay_send 92 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_tune 102 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_attack 103 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_decay 104 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_sample_start 105 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_9_sample_1/sample_1_sample_end 106 0–127 continuous Multi: Part 9 sample 1
/drumlogue/multi_part_10_sample_2/sample_2_level 7 / 39 0–16383 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_pan 10 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_reverb_send 91 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_delay_send 92 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_tune 106 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_attack 107 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_decay 108 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_sample_start 109 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_10_sample_2/sample_2_sample_end 110 0–127 continuous Multi: Part 10 sample 2
/drumlogue/multi_part_11_multi/multi_part_level 7 / 39 0–16383 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_pan 10 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_reverb_send 91 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_multi/multi_part_delay_send 92 0–127 continuous Multi: Part 11 multi
/drumlogue/multi_part_11_vpm/vpm_noise 108 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_index_modulation 109 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_note 110 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_index 111 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_ratio 112 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_envelope_type 113 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_attack 114 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_vpm/vpm_release 115 0–127 continuous Multi: Part 11 VPM
/drumlogue/multi_part_11_noise/noise_color 116 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_attack 117 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_release 118 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_noise/noise_peak 119 0–127 continuous Multi: Part 11 noise
/drumlogue/multi_part_11_user_synth/user_synth_parameter_1 16 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_2 17 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_3 18 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_4 19 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_5 20 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_6 21 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_7 22 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_8 23 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_9 24 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_10 25 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_11 26 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_12 27 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_13 28 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_14 29 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_15 30 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_11_user_synth/user_synth_parameter_16 31 0–127 continuous Multi: Part 11 user synth
/drumlogue/multi_part_12_master/master_volume 7 / 39 0–16383 continuous Multi: Part 12 master
/drumlogue/multi_part_12_delay/delay_parameter_1 12 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_2 13 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_3 14 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_4 15 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_5 16 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_6 17 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_7 18 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_8 19 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_9 20 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_10 21 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_11 22 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_12 23 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_13 24 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_14 25 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_15 26 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_parameter_16 27 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_return 44 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_reverb_send 45 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_delay/delay_level 92 0–127 continuous Multi: Part 12 delay
/drumlogue/multi_part_12_reverb/reverb_parameter_1 85 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_2 86 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_3 87 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_4 89 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_5 90 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_6 102 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_7 103 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_8 104 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_9 105 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_10 106 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_11 107 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_12 108 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_13 109 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_14 110 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_15 111 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_parameter_16 112 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_return 83 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_reverb/reverb_level 91 0–127 continuous Multi: Part 12 reverb
/drumlogue/multi_part_12_master_effect/master_effect_parameter_1 46 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_2 47 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_3 48 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_4 49 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_5 50 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_6 51 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_7 52 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_8 53 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_9 54 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_10 55 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_11 56 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_12 57 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_13 58 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_14 59 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_15 60 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_part_12_master_effect/master_effect_parameter_16 61 0–127 continuous Multi: Part 12 master effect
/drumlogue/multi_channel_mode/all_sound_off 120 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/reset_all_controllers 121 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/all_notes_off 123 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/omni_mode_off 124 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/omni_mode_on 125 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/mono_mode_on 126 0–127 continuous Multi: Channel mode
/drumlogue/multi_channel_mode/poly_mode_on 127 0–127 continuous Multi: Channel mode

Drum sounds (22)

Send <address> [velocity] [note] [channel] to fire the sound (Note On).

OSC address Sound Note(s) Channel Velocity
/drumlogue/drum/single_channel_mode/bass_drum Bass drum 36 basic
/drumlogue/drum/single_channel_mode/rimshot Rimshot 37 basic
/drumlogue/drum/single_channel_mode/clap Clap 39 basic
/drumlogue/drum/single_channel_mode/snare_drum Snare drum 40 basic
/drumlogue/drum/single_channel_mode/closed_hi_hat Closed hi-hat 42 basic
/drumlogue/drum/single_channel_mode/low_tom Low tom 45 basic
/drumlogue/drum/single_channel_mode/open_hi_hat Open hi-hat 46 basic
/drumlogue/drum/single_channel_mode/high_tom High tom 50 basic
/drumlogue/drum/single_channel_mode/sample_1 Sample 1 52 basic
/drumlogue/drum/single_channel_mode/sample_2 Sample 2 53 basic
/drumlogue/drum/single_channel_mode/multi Multi 55 basic
/drumlogue/drum/multi_channel_mode/bass_drum Bass drum 0–127 1
/drumlogue/drum/multi_channel_mode/snare_drum Snare drum 0–127 2
/drumlogue/drum/multi_channel_mode/low_tom Low tom 0–127 3
/drumlogue/drum/multi_channel_mode/high_tom High tom 0–127 4
/drumlogue/drum/multi_channel_mode/closed_hi_hat Closed hi-hat 0–127 5
/drumlogue/drum/multi_channel_mode/open_hi_hat Open hi-hat 0–127 6
/drumlogue/drum/multi_channel_mode/rimshot Rimshot 0–127 7
/drumlogue/drum/multi_channel_mode/clap Clap 0–127 8
/drumlogue/drum/multi_channel_mode/sample_1 Sample 1 0–127 9
/drumlogue/drum/multi_channel_mode/sample_2 Sample 2 0–127 10
/drumlogue/drum/multi_channel_mode/multi Multi 0–127 11

Performance MIDI

Notes, pitch bend and any CC are also available: /drumlogue/note/on <note> <velocity>, /drumlogue/cc/<number> <value>, /drumlogue/pitchbend <0-16383>, /drumlogue/program_change <n>.

Limitations

CC/NRPN only. SysEx (preset management, display control, bulk dump/load, vendor-proprietary opcodes) is NOT covered by pencilresearch. To extend this device with SysEx, sniff the vendor editor, add `sysex.header/footer` + `commands` blocks, and use `update_device.md` PR template.

Frequently asked questions

How many parameters of the KORG drumlogue can be controlled over MIDI?

SynthHub's map of the KORG drumlogue lists 259 MIDI CC parameters, each with its number, range and a readable name; the full chart is on this page.

Can an AI agent like Claude control the KORG drumlogue?

Yes: SynthHub's hosted MCP server knows the KORG drumlogue's MIDI map, and its browser relay lets the agent send it parameter changes or load a sound, each sound change confirmed by you.